If you monitor through the amp while tracking you will get a little of the pickup / speaker feedback thing going. You might need a little compression to make it sound right.
#Reamp di combo driver#
Make sure your outputs are set to +4 balanced in the Audient driver software. Get the latency adjusted as low as it can go and not glitch. Adjust input and output levels until it sounds like you are plugged straight in. Play through the computer like it was a pedal.
It kind of sucks if you don't have 4 balanced outputs and have to unplug one monitor to reamp but not too big of a deal. The Audient stuff is highly recommended so I would rule that out. Or it can eliminate pick noise if you are playing in the same room as your microphone. You can send your edited final take through the amp one time and be done or save something that wasn't quite right at tracking after the band has gone home. You're right commiting on the way in and miking up a cab is ideal. DI's sound fine.back the other way though, meh. PS- in case anyone questions the D.I side, I have tried going into DAW via Radial DI, Audient DI, and a Vintech 573 DI. I think committing early on is the way to go personally. I can understand their use after the fact for use with plugin amps or with support tracks to beef up a primary track, but I def.
Maybe at crazy volumes thing equalize but monitors don't lie and the shortest path to the amp is easily the winner. Maybe with some really expensive 5k converters things might sound amazing but for an average setup, I am not overly impressed. I see it working on BASS as well as routing signal out and through some cool pedals but for guitars? I feel it is lacking. have less gain and lack the oomph of the original. So my question is, would converters play a role in this? How many people actually compare the original signal with the reamped one? Sure i could reamp a signal through a loud 5150 and gain it up and there is a track but have any of you actually compared your tracks? Mine def.
#Reamp di combo pro#
My signal is RAdial Pro DI to split signal between amp and DAW, Harrison Mixbus 5 > Audient ID14 (so these are my converters) > Torpedo Reload/or Radial ProRMP which I had also picked up along the way. Fast foward with a whole new setup and the tones are still very uninspiring when compared to a mic'd amp with the guitar straight into it. Tried this a few years ago with a Radial reamp box (not the blue ProRMP, the black cuniberti model) and had a hell of a time.
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